Christine Dye (she/her) is delighted to be back at Ensemble Theatre after an absence of four years, having last appeared in A Doll’s House, Part 2. She has added three film credits to her resume in that time and continues to be the spokesperson for Miami Valley Gaming.

Annie Fitzpatrick recently appeared in Morning Sun at Ensemble Theatre, where some of her favorite credits include The Wolves, Luna Gale, Hands on a Hardbody, Next Fall, Rabbit Hole, and String of Pearls. She recently appeared in Steel Magnolias at Cincinnati Playhouse in the Park and Indiana Repertory Theatre. She has worked with various regional theatres including American Stage, The Repertory Theatre of St. Louis, Geva Theatre, Florida Stage, and Florida Studio. Her TV and film credits include Chicago P.D., Those Who Kill, Army Wives, White Noise, Dark Waters, The Old Man and the Gun, Fun Size, Milk Money, and the upcoming films Mr. Manhattan and Hauntology

Becca Howell (she/her) is delighted to return to the Ensemble Theatre stage, where she was last seen in The Wolves, as well as Red Velvet, The Humans, and Bloomsday. After receiving her BFA from Northern Kentucky University, she completed ETC’s Professional Acting Internship Program. She has also performed locally in Macbeth with Cincinnati Shakespeare Company and Poor Behavior, Yankee Tavern, and Prelude to a Kiss with Falcon Theatre.

Caroline Marino (she/her) recently graduated from Xavier University, where she earned a BA in Musical Theatre. She is extremely grateful and excited for this opportunity to grow as an artist at ETC!

Connan Morrissey (she/her) is honored to be returning to Ensemble after playing Nora in A Doll’s House, Part 2 and Laurie in Pipeline (2020 production). Connan has worked at other theatres around the country including Round House Theatre (Bethesda, MD), Arena Stage, Folger Theatre, Olney Theatre, Actors Theatre of Louisville, Alabama Shakespeare Festival, PlayMakers Repertory, North Carolina Stage Company, and the Asolo Theatre Center. She is a professional coach who helps individuals express their ideas with authenticity and impact, as well as a registered nurse.

Emmy Rice (she/her) is excited to be back on stage at Ensemble Theatre! She graduated from Xavier University with degrees in theatre performance and English and is a proud alum of ETC’s Professional Apprenticeship Program during the 2022-2023 Season. Some of her recent credits include Jeanie in Leveling Up, Xavier University; Sienna Ross in MLM Is for Murder (Or, Your Side Hustle Is Killing Us) and Natayla/Young Asa in The Dancing Princesses, Ensemble Theatre Cincinnati; and various shows in the Cincinnati Fringe Festival.

Simon Stephens is an English playwright whose plays include Fortune, Light Falls, Maria, Fatherland, Rage, Heisenberg, Nuclear War, Song from Far Away, Birdland, Carmen Disruption, Blindsided, Morning, Three Kingdoms, Wastwater, Punk Rock, The Trial of Ubu, Marine Parade, Sea Wall, Harper Regan, Pornography, Motortown, On the Shore of the Wide World, One Minute, Country Music, Christmas, Port, Herons, and Bluebird. He has written English language versions of Jon Fosse’s I Am the Wind; Odon Von Horvath’s Kasimir and Karoline (titled The Funfair); Henrik Ibsen’s A Doll’s House; Anton Chekhov’s The Cherry Orchard and The Seagull and Bertolt Brecht and Kurt Weill’s Threepenny Opera. He has presented three series of the Royal Court Playwright’s Podcast. His book A Working Diary is published by Methuen. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play. He is currently an Associate Artist at the Lyric Hammersmith, a Professor of Scriptwriting at Manchester Metropolitan University, and an Associate Professor at the Danish National School of the Performing Arts, Copenhagen.

D. Lynn Meyers has been with Ensemble Theatre for over twenty-five years, having directed more than a hundred world and regional premieres, including Hands on a Hardbody, Fun Home, Morning Sun, The Wolves, Hedwig and the Angry Inch, I Am My Own Wife, Next to Normal, Tiny Beautiful Things, and the world premiere of The Dancing Princesses. She began her career as the associate artistic director at Cincinnati Playhouse in the Park, has directed off-Broadway at the York Theatre, and has directed extensively throughout the US and Canada. As a member of the Casting Society of America, Lynn’s recent feature credits include The Bikeriders, Shirley, and Dark Waters, in addition to serving as the location casting director for The Shawshank Redemption. Lynn recently directed the world premiere of Fierce for the Cincinnati Opera. She was named a finalist for the Zelda Fichandler National Award in 2011, is a past recipient of the YWCA Career Woman of Achievement Award, and received the 2018 Rosa F. and Samuel B. Sachs Fund Prize for regional arts impact and leadership.

Brian c. Mehring (he/him) has designed more than 100 productions at Ensemble Theatre. His favorite productions include Thom Pain (based on nothing), Next to Normal, 33 Variations, Freud’s Last Session, and I Am My Own Wife. Mr. Mehring’s regional favorites for set design include The Last 5 Years and I Love You, You’re Perfect, Now Change, Cincinnati Playhouse in the Park; Henry IV, Part 1, The Georgia Shakespeare Festival; and I Am My Own Wife, Actors Theatre of Louisville, Peterborough Players, and Florida Studio Theatre.

Brooke Arthur (she/her) is Ensemble Theatre’s Costume Supervisor. Her past design credits include Stupid F**king Bird, Ensemble Theatre; Fidelio, Queen City Opera; and Twelfth Night, Every Brilliant Thing, and Bulletproof Backpack, Florida Repertory Theatre. She has worked in varying costume roles with Florida Repertory Theatre, Arizona Opera, Tuacahn Center for the Arts, Shakespeare & Co., and Illinois Shakespeare Festival. She is a graduate from the University of Cincinnati- College Conservatory of Music.

Matt Callahan (he/him) was the Resident Sound Designer for Actors Theatre of Louisville for seven seasons. Some of his most recent designs for Ensemble Theatre include Queen, Pipeline, Fortune, Fun Home, and Ripcord. He was also a co-creator/designer of Rock n’ Roll: The Reunion Tour. He spent two seasons as the Resident Sound Designer at The Eugene O’Neil Center for their National Playwrights Conference. He was formerly the sound engineer for Steppenwolf Theatre, the Assistant Engineer for Blue Man Chicago, and a member of the disbanded Defiant Theatre. He received a Jeff Citation for Red Dragon, a nomination for Fortinbras, and a Kevin Kline nomination for Sherlock Holmes.

Shannon Rae Lutz  (she/her) earned her Master’s degree from the University of Cincinnati’s College-Conservatory of Music in 1996 and became Properties Master at Ensemble Theatre. Trained as a performer, she first appeared on ETC’s stage during the 1988-1989 New Works Festival. In 1991, she was granted an ETC internship. Now the Director of Apprentice Programming, she is honored to guide ETC’s essential ensemble: The Professional Acting Apprentice Company. Shannon would like to thank D. Lynn Meyers, Ruth Sawyer, and the Cincinnati theatre community and patrons for their generous, supportive, and tenacious spirit.

Jack Murphy (he/him) grew up in the Cincinnati area and studied technical theatre at Hanover College. While there, he spent his summers at several different summer stock theatres including Georgia Shakespeare Company and the Brevard Music Center’s Janiec Opera Company as a carpenter. After graduation, he moved to Bellport, NY to work for The Gateway Playhouse as a carpenter and rigger, and he went on to work for Norwegian Cruise Line. After another summer at the Janiec Opera Company, he came full circle and returned home to Cincinnati. Jack is eager to continue to do the cutting edge work ETC is known for and has enjoyed working on such productions as An Iliad, Grounded, and The Humans.

Margot Whitney (she/her) is thrilled to be a part of the Ensemble Theatre family! Her previous credits include Sweat on Broadway and the first national tours of Mean Girls, Come From Away, Bright Star, The King & I, Rodgers & Hammerstein’s Cinderella, and War Horse. She has worked with The Public Theatre, Signature Theatre Company, New York Stage and Film, Shakespeare Theatre of New Jersey, La Jolla Playhouse, Virginia Opera, Cincinnati Opera, Ensemble Theatre Cincinnati during the 2012-2013 Season, and Cincinnati Ballet. Margot received her BFA from the University of Cincinnati’s College-Conservatory of Music.

Lexi Muller (she/her) is delighted to be back at Ensemble Theatre, where some of her credits include include Fun Home, The Wolves, Skeleton Crew, and Fly by Night. Other regional credits include Sex with Strangers, The House, Legendale, and 26 Pebbles with the Human Race Theatre. She is a proud member of Actors’ Equity Association and a graduate of Wright State University, where she received her BFA in Stage Management.